Video technology was first developed for cathode ray tube (CRT) television systems, but several new technologies for video display devices have since been invented. Charles Ginsburg led the research team at Ampex Corporation in developing the first practical video tape Atlanta bankruptcy attorney a recorder (VTR). In 1951 the first video tape recorder captured live images from television cameras by converting the information into affiliate marketing electrical impulses and saving the information onto magnetic video tape. This tape was sold for around $50,000 in 1956. Sony Started to sell the first videocassette recorder (VCR) tapes to the public in 1971. Since then computer technology has advanced a huge amount and HGH Energizer can now be used to capture, store, edit and transmit film clips. Since the invention of the DVD in 1997 and Blu-ray Disc in 2006 video sales have plummeted and are often regarded as old fashioned and obsolete.

Description of video

The term video (video meaning I see, from the Latin verb videre) commonly refers to several storage formats for moving pictures: digital video formats, including Blu-ray Disc, DVD, QuickTime (QT), and MPEG-4; and analog videotapes, including VHS and Betamax. Video can be recorded and transmitted in various physical media: in magnetic tape when recorded as PAL or NTSC electric signals by video cameras, or in MPEG-4 or DV digital media when recorded by digital cameras. Quality of video essentially depends on the capturing method and storage used. Digital television (DTV) is a relatively recent format with higher quality right to bare legs than earlier television formats and has become a standard for television video. (See List of digital television deployments by country.) 3D-video, digital video in three dimensions, premiered at the end of 20th century. Six or eight cameras with realtime depth measurement are typically used to capture 3D-video streams. The format of 3D-video is fixed in MPEG-4 Part 16 Animation Framework eXtension (AFX). In the United Kingdom, Estonia, Australia, Netherlands, Finland, Hungary and New Zealand, the term video is often used informally to refer to both Videocassette recorders and video cassettes; the meaning is normally clear from the context.

Characteristics of video streams

Number of frames per second

Frame rate, the number of still pictures per unit of time of video, ranges from six or eight frames per second (frame/s) for old mechanical cameras to 120 or more frames per second for new professional cameras. PAL (Europe, Asia, Australia, etc.) and SECAM (France, Russia, parts of Africa etc.) standards specify 25 frame/s, while NTSC (USA, Canada, Japan, etc.) specifies 29.97 frame/s. Film is shot at the www.ryanutopia.net slower frame rate of 24photograms/s, which complicates slightly the process of transferring a cinematic motion picture to video. The minimum frame rate to achieve the illusion of a moving image is about fifteen frames per second.

Interlacing

Video can be interlaced or progressive. Interlacing was invented as a way to achieve good visual quality within the limitations of a narrow bandwidth. The horizontal scan lines of each interlaced frame are numbered consecutively and partitioned into two fields: the odd field (upper field) consisting of the odd-numbered lines and the even field (lower field) consisting of the even-numbered lines. NTSC, PAL and SECAM are interlaced formats. Abbreviated video resolution specifications often include an i to indicate interlacing. For example, PAL video format is often specified as 576i50, where 576 indicates the vertical line resolution, i indicates interlacing, and 50 indicates 50 fields (half-frames) per second.

In progressive scan systems, each refresh period updates all of the scan lines. The result is a higher spatial resolution and a lack of various artifacts that can make parts of a stationary picture appear to be moving or flashing.

A procedure known as deinterlacing can be used for converting an interlaced stream, such as analog, DVD, or satellite, to be processed by progressive scan devices, plaque attack such as Liquid crystal display television TFT LCD Television sets, projectors, and plasma panels. Deinterlacing cannot, however, produce a video quality that is equivalent to true progressive scan source material.

Display resolution

The size of a video image is measured in pixels for digital video, or horizontal scan lines and vertical lines of resolution for analog video. In the digital domain (e.g. DVD) standard-definition television (SDTV) is specified as 720/704/640×480i60 for NTSC and 768/720×576i50 for PAL or SECAM resolution. However in the analog domain, the number of visible scanlines remains constant (486 NTSC/576 PAL) while the horizontal measurement varies with the quality of the signal: approximately 320 pixels per scanline for VCR quality, 400 pixels for TV broadcasts, and 720 pixels for DVD sources. Aspect ratio is preserved because of non-square pixels.

New high-definition televisions (HDTV) are capable of resolutions up to 1920×1080p60, i.e. 1920 pixels per scan line by 1080 scan lines, progressive, at 60 frames per second.

Video resolution for 3D-video is measured in slim ts voxels (volume picture element, representing a value in three dimensional space). For example 512×512×512 voxels resolution, now used for simple 3D-video, can be displayed even on some PDAs.

Aspect ratio

Aspect ratio describes the dimensions of video screens and video picture elements. All popular video formats are rectilinear, and so can be described by a ratio between width and height. The screen aspect ratio of a traditional television screen is 4:3, or about 1.33:1. High definition televisions use an aspect ratio of 16:9, or about 1.78:1. The aspect ratio of a full 35 mm film frame with soundtrack (also known as the Academy ratio) is 1.375:1.

Ratios where the height is taller than the width are uncommon in general everyday use, but do have application in computer systems where the screen may be better suited for a vertical layout. The most common tall aspect ratio of 3:4 is referred to as portrait mode and is created by physically rotating the display device 90 degrees from the normal position. Other tall aspect ratios such as 9:16 are technically possible but rarely used. (For a more detailed discussion of this topic please refer to the page orientation article.)

Pixels on computer monitors are usually square, but pixels used in digital video often have non-square aspect ratios, such as those used in the PAL and NTSC variants of the CCIR 601 digital video standard, and the corresponding anamorphic widescreen formats. Therefore, an NTSC DV image which is 720 pixels by 480 pixels is displayed with the aspect ratio of 4:3 (which is the traditional television standard) if the pixels are thin and displayed with the aspect ratio of 16:9 (which is the anamorphic widescreen format) if the pixels are fat.

Color space and bits per pixel

Color model name describes the video color representation. YIQ was used in NTSC television. It corresponds closely to the YUV scheme used in NTSC and PAL television and the YDbDr scheme used by SECAM television.

The number of distinct colors that can be represented by a pixel depends on the number of bits per pixel (bpp). A common way to reduce the number of bits per pixel in digital video is by chroma subsampling (e.g. 4:4:4, 4:2:2, 4:2:0/4:1:1).

Video quality

Video quality can be measured with formal metrics like PSNR or with subjective video quality using expert observation.

The subjective video quality of a video processing Magic Mesh system may be evaluated as follows:

Choose the video sequences (the SRC) to use for testing.
Choose the settings of the system to evaluate (the HRC).
Choose a test method for how to present video sequences to experts and to collect their ratings.
Invite a sufficient number of experts, preferably not fewer than 15.
Carry out testing.
Calculate the average marks for each HRC based on the experts ratings.

Many subjective video quality methods are described in the ITU-T recommendation BT.500. One of the standardized method is the Double Stimulus Impairment Scale (DSIS). In DSIS, each expert views an unimpaired reference video followed by an impaired version of the same video. The expert then rates the impaired video using a scale ranging from impairments are imperceptible to impairments are very annoying.

Video compression method (digital only)

Main article: Video compression

A wide variety of methods are used to compress video streams. Video data contains spatial and temporal redundancy, making uncompressed video streams extremely inefficient. Broadly speaking, spatial redundancy is reduced by registering differences between parts of a single frame; this task is known as intraframe compression and is closely related to image compression. Likewise, temporal redundancy can be reduced by registering differences between frames; this task is known as interframe compression, including motion compensation and other techniques. The Max Burn most common modern standards are MPEG-2, used for DVD, Blu-ray and satellite television, and MPEG-4, used for AVCHD, Mobile phones (3GP) and Internet.

Bit rate (digital only)

Bit rate is a measure of the rate of information content in a video stream. It is quantified using the bit per second (bit/s or bps) unit or Megabits per second (Mbit/s). A higher bit rate allows better video quality. For example VideoCD, with a bit rate of about 1 Mbit/s, is lower quality than DVD, with maximum bit rate of 10.08 Mbit/s for video. HD (High Definition Digital Video and TV) has a still higher quality, with a bit rate of about 20 Mbit/s.

Variable bit rate (VBR) is a strategy to maximize the visual video quality and minimize the bit rate. On fast motion scenes, a variable bit rate uses more bits than it does on slow motion scenes of similar duration yet achieves a consistent visual quality. Shake Weight For real-time and non-buffered video streaming when the available bandwidth is fixed, e.g. in videoconferencing delivered on channels of fixed bandwidth, a constant bit rate (CBR) must be used.

Stereoscopic

Stereoscopic video can be created using several different methods:

two channels — a right channel for the right eye and a left channel for the left eye. Both channels may be viewed simultaneously by using light-polarizing filters 90 degrees off-axis from each other on two video projectors. These separately polarized channels are viewed wearing eyeglasses with matching polarization filters.
one channel with two overlaid color coded layers. This left and right layer technique is occasionally used for network broadcast, or recent anaglyph releases of 3D movies on DVD. Simple Red/Cyan plastic glasses provide the means to view the images discretely to form a stereoscopic view of the content.
One channel with alternating left/right frames for each eye, using LCD shutter glasses which read the frame sync from the VGA Display Data Channel to alternately cover each eye, so the appropriate eye sees the correct frame. This method is most common in computer virtual reality applications such as in a Cave Automatic Virtual Environment, but reduces the effective video framerate to one-half of normal (for example, from 120 Hz to 60 Hz).

Blu-ray Discs greatly improve the sharpness and detail of the two-color 3D effect in color coded stereo programs. See articles Stereoscopy and 3-D film.

Video formats

There are different layers of video transmission and storage, each with its own set of formats to choose from.

For transmission, there is a physical connector and signal protocol (video connection standard below). A given physical link can carry certain display standards which specify a particular refresh rate, display resolution, and color space. There are a number of analog and digital tape formats, www.hscaz.info though digital video clips can also be stored on a computer file system as files which have their own formats. In addition to the physical format used by the data storage device or transmission medium, the stream of ones and zeros that is sent must be in a particular digital video encoding, of which a number are available.

Video connectors, cables, and signal standards

But that set photo is one of the last we’ll see as The Rock just announced he wrapped filming in Miami today. “Pain and Gain” is a black comedy that follows a pair of bodybuilders who find themselves in an extortion ring and kidnapping plot that spirals way out of control.

When MTV News caught up with Michael Bay back in 2009 before the storyline was divulged, he said, “[It?s based on] a true story, and it’s very funny. It?s a dark comedy.” Quite a departure from his usual “Transformers” work, but since he hasn’t disappointed us yet, we’re having faith that the film will be highly entertaining.

Is “Pain and Gain” going to be on your list of films to see next year? Let us know in the comments and on Twitter!

Tags dwayne johnson, michael bay, Pain and Gain

Freida Pinto FSU Cowgirls Gabrielle Union Garcelle Beauvais Genelle Frenoy Georgianna Robertson Georgina Grenville

“Diaries” earned nominations for Choice TV Show: Fantasy/Sci-Fi, Choice TV Actor: Fantasy/Sci-Fi nods for both Ian Somerhalder and Paul Wesley, and Choice TV Actress: Fantasy/Sci-Fi nominations for Nina Dobrev and Kat Graham. Somerhalder is also vying for Choice Male Hottie against Bieber, multi-nominee Ryan Gosling, Liam Hemsworth and Robert Pattinson.

The Choice Female Hottie contest pit pals Katy Perry and Rihanna against Miley Cyrus, Selena Gomez and model Kate Upton.

Among the other top TV nominees are “Pretty Little Liars,” “Gossip Girl,” “Supernatural” and, oddly, “Bones,” and HBO’s racy “True Blood,” which is up for Choice TV Show: Fantasy/Sci-Fi and Choice TV Actress: Fantasy/Sci-Fi for Anna Paquin.

All of the usual candidates are among the top film nominees, with “Twilight Saga: Breaking Dawn – Part 1″ scoring nominations for Choice Movie: Sci-Fi/Fantasy, Choice Movie Actor: Sci-Fi/Fantasy for both Robert Pattinson and Taylor Lautner (who is also up for Choice Movie Actor: Action for “Abduction”), and Choice Movie Actress: Sci-Fi/Fantasy for Kristen Stewart.

They face stiff competition in the Sci-Fi categories against “The Hunger Games,” which landed nominations for Choice Movie: Sci-Fi/Fantasy and acting nominations for leads Jennifer Lawrence and Josh Hutcherson, and “The Avengers,” which along with its Choice Movie nominations scored individual acting nods for Chris Hemsworth, Robert Downey Jr. and Scarlett Johansson.

Among the other top film nominees are “The Help” (Choice Movie: Drama and Choice Actress: Drama nominations for Emma Stone and Viola Davis), “The Vow” (Choice Movie: Drama, Choice Actress: Drama for Rachel McAdams and Choice Actor: Drama for Channing Tatum, who is also up for his comedic performance in the much-nominated “21 Jump Street”) and, inexplicably, the released-today comedy “What to Expect When You’re Expecting,” which earned four nods, for Choice Movie: Comedy, Choice Actor: Comedy for Chris Rock, and Choice Actress: Comedy nods for both Cameron Diaz and Jennifer Lopez.

On the music side, the Choice Single by a Female Artist nominees are “Set Fire to the Rain” by Adele, “Stronger” by Kelly Clarkson, “Dance Again” by Jennifer Lopez featuring Pitbull, “Part of Me” by Perry and “Eyes Open” by Taylor Swift. On the guys’ side are Bieber (“Boyfriend”), Drake (“Take Care”), Flo Rida (“Good Feeling”), Bruno Mars (“It Will Rain”) and Pitbull (“Give Me Everything [Tonight]“).

Many of the same artists will vie for Choice Male Artist (Bieber, Drake, Mars, Pitbull and Blake Shelton) and Choice Female Artist (Adele, Lopez, Perry, Rihanna and Swift).

The genre-by-genre breakdown of the nominations mean there are a lot of Teen Choice Award contenders. For a full rundown of the nominees, visit the Teen Choice Awards website, where you can also vote for your favorites.

The Teen Choice Awards air live on Sunday, July 22, at 8 p.m. ET.

Asia Argento Aubrey ODay Audrina Patridge Autumn Reeser Avril Lavigne Bali Rodriguez Bar Refaeli

Unless you happen to be madly in love with Taylor Kitsch or Brooklyn Decker, some of you have no doubt written “Battleship” off as a cheap imitation of “Transformers.” How can an alien invasion action film based on a board game be all that entertaining, right? Well, we have a feeling you’ll be pleasantly surprised.

The opening scenes between Kitsch and Alexander Skarsgård were flawlessly executed as the pair’s brotherly chemistry and Kitsch’s off-kilter charm win the audience over in the first few minutes. The film continues with non-stop action once the Navy hits the sea, and continues its intrigue as the movie incorporates the board game layout into the battles.

It’s a summer flick that’s sure to entertain, so here are our five reasons to see “Battleship.”

Because It’s Wickedly Funny
From the opening of the movie to the very end, laughs reign in the film. The comedy is brought in by Kitsch’s slacker persona and his interactions with Skarsgård, but the supporting cast keeps you entertained as the battle for earth heats up. In action films, humor is sometimes tossed to the wayside in favor of more explosions?don’t get us wrong, there are still plenty of those?but this cast effortlessly delivers funny lines at the perfect moments.

Because There Are Tons Of Explosions
The movie is titled “Battleship.” If there weren’t crazy-awesome explosions, this would be a film about yahtze. We don’t claim to be special effects experts, but we can certainly tell when they come off believable. From the moment Kitsch yells to Rihanna, “Light it up!” to the end when the final missiles are launched, you’re sure to be entertained by the action.

Because It’s Rihanna’s Acting Debut
By now you probably know that the “Talk That Talk” singer makes her acting debut. Most young stars do the reverse and start out as actors (even Justin Timberlake started out on the Mickey Mouse Club acting and singing before he joined NSYNC), but when has Rihanna ever followed a trend? As the musician continues to blow up the music charts, she lights up the screen playing a total badass handling some heavy artillery. She’s the gal Hopper goes to when he needs some serious firepower and she always delivers.

Because There’s A ‘Friday Night Lights’ Reunion
This film certainly had its own scene stealer. Kitsch’s “Friday Night Lights” co-star Jesse Plemons provides a laugh almost everytime he’s on camera with his facial expressions or one-liners. In the NBC series, Kitsch played Tim Riggins and Plemons was Landry Clarke. The dynamic between their characters in “Battleship” is just like their roles in “FNL.” The “John Carter” actor is a self-assured captain-type with the arrogance to match and Plemons is an uncertain sailor questioning the antics around him. This will certainly amuse fans of the show.

Because You’re Curious
Let’s be honest, there’s at least a small part of you that wants to know who’s going to say, “You sunk my battleship.” And you may be surprised by how it’s incorporated into the film. Cliffhanger! And don’t you want to see how they pulled it off? When they literally were working from nothing, they came up with a full plot line based around a children’s board game. Credit is due, my friends.

Did we convince you? Will you see “Battleship” this weekend? Sound off in the comments and on Twitter!

Tags Alexander Skarsgard, battleship, Jesse Plemons, rihanna, Taylor Kitsch

Carla Gugino Carmen Electra Carol Grow Carrie Underwood Cat Power Catherine Bell Chandra West

It’s the first official photo from “Blackwater,” the highly awaited episode of “Game of Thrones” season two that finally, finally, thrusts viewers into the thick of an all-out battle (as in on screen, no getting-knocked-out-and-skipping-the-fight trickery) between Joffrey’s allies in King’s Landing and the forces of Stannis Baratheon. “A Song of Ice and Fire” mastermind George R.R. Martin wrote the episode, only adding to the list of reasons why fans are losing their minds in anticipation of the hour.

Before we get to “Blackwater,” we’ll have to encounter “The Prince of Winterfell” in this Sunday night’s episode ? but whether we’re talking about Prince Bran or “Prince” Theon is a matter of some debate. We’ll certainly be tuning in either way. Here’s a look at Tyrion and Varys from that episode.

Tell us what you think of the new “Game of Thrones” photos in the comments section and on Twitter!

Tags Game of Thrones, George R.R. Martin

Foxy Brown Freida Pinto FSU Cowgirls Gabrielle Union Garcelle Beauvais Genelle Frenoy Georgianna Robertson

With “Prometheus” hitting theaters in three weeks, it’s time for Ridley Scott to focus on returning to another one of his most famous properties: “Blade Runner.” Warner Bros released a press release today saying that the new movie will officially be a sequel to the original, and that “Blade Runner” scribe Hampton Fancher will be back to help Scott develop the story.

Fancher and Scott originally conceived “Blade Runner” as the first of a series of films that would explore the themes presented in Philip K. Dick’s novel “Do Androids Dream of Electric Sheep.” Though it took Scott three decades to do so, he’s finally returning to that idea now.

Apparently the sequel will take place several years after the first film ended. But which version of the ending will Scott use going forward? We guess that’s the downside of releasing seven thousand director’s cuts of a film.

Scott confirmed to The Daily Beast that he had his first meetings for the “Blade Runner” sequel last week, so it sounds like that might be one of his next few projects. Following in the footsteps of “Alien,” “Thelma & Louise” and now “Prometheus,” Scott said that he plans to put a female lead front and center.

“Funny enough, I started my first meetings on the Blade Runner sequel last week,” he said when asked about the status of the project. “We have a very good take on it. And we?ll definitely be featuring a female protagonist.”

Are you intrigued by a second “Blade Runner,” or do you wish Scott just left well-enough alone? Tell us in the comments section below or on Twitter.

Tags blade runner

Charisma Carpenter Charli Baltimore Charlies Angels Charlize Theron Chelsea Handler Cheryl Burke China Chow

When you think of a king of England and a president of the United States your mind rarely travels to outdoor barbeques and jumping in pools, but that’s just what goes on in the “Hyde Park on Hudson” trailer?and Bill Murray lights up portraying Franklin D. Roosevelt.

While the film is based around real events, we’re not sure how historically accurate the movie will turn out, but watching Murray take on the charm and gentle mannerisms of America’s 32nd President is a jolly ol’ delight.

Check out the first trailer below, and learn more about “Hyde Park on Hudson” after the jump!

Before 1939, no reigning king of England had ever visited America. But that summer FDR and his wife Eleanor (Olivia Williams) host the royals at their home in Hyde Park on Hudson, an estate in upstate New York. As war with Germany looms in the distance for Great Britain, the King is hoping the holiday will lead to the President’s support. But the weekend gets a little out of hand as his loved ones conspire to make it a memorable one.

The visit is narrated by Franklin’s distant cousin and cherished friend Daisy, played by Laura Linney. Through her eyes, the audience learns more than the toils of diplomacy and gets to the heart of love and friendship.

“Hyde Park on Hudson” opens in theaters on December 7.

What did you think of the first “Hyde Park on Hudson” trailer? Speak your mind in the comments and on Twitter!

Tags bill murray, Hyde Park on Hudson, laura linney, Trailers

Emma Stone Emma Watson Emmanuelle Chriqui Emmanuelle Vaugier Emmy Rossum Erica Leerhsen Erika Christensen

Unless you happen to be madly in love with Taylor Kitsch or Brooklyn Decker, some of you have no doubt written “Battleship” off as a cheap imitation of “Transformers.” How can an alien invasion action film based on a board game be all that entertaining, right? Well, we have a feeling you’ll be pleasantly surprised.

The opening scenes between Kitsch and Alexander Skarsgård were flawlessly executed as the pair’s brotherly chemistry and Kitsch’s off-kilter charm win the audience over in the first few minutes. The film continues with non-stop action once the Navy hits the sea, and continues its intrigue as the movie incorporates the board game layout into the battles.

It’s a summer flick that’s sure to entertain, so here are our five reasons to see “Battleship.”

Because It’s Wickedly Funny
From the opening of the movie to the very end, laughs reign in the film. The comedy is brought in by Kitsch’s slacker persona and his interactions with Skarsgård, but the supporting cast keeps you entertained as the battle for earth heats up. In action films, humor is sometimes tossed to the wayside in favor of more explosions?don’t get us wrong, there are still plenty of those?but this cast effortlessly delivers funny lines at the perfect moments.

Because There Are Tons Of Explosions
The movie is titled “Battleship.” If there weren’t crazy-awesome explosions, this would be a film about yahtze. We don’t claim to be special effects experts, but we can certainly tell when they come off believable. From the moment Kitsch yells to Rihanna, “Light it up!” to the end when the final missiles are launched, you’re sure to be entertained by the action.

Because It’s Rihanna’s Acting Debut
By now you probably know that the “Talk That Talk” singer makes her acting debut. Most young stars do the reverse and start out as actors (even Justin Timberlake started out on the Mickey Mouse Club acting and singing before he joined NSYNC), but when has Rihanna ever followed a trend? As the musician continues to blow up the music charts, she lights up the screen playing a total badass handling some heavy artillery. She’s the gal Hopper goes to when he needs some serious firepower and she always delivers.

Because There’s A ‘Friday Night Lights’ Reunion
This film certainly had its own scene stealer. Kitsch’s “Friday Night Lights” co-star Jesse Plemons provides a laugh almost everytime he’s on camera with his facial expressions or one-liners. In the NBC series, Kitsch played Tim Riggins and Plemons was Landry Clarke. The dynamic between their characters in “Battleship” is just like their roles in “FNL.” The “John Carter” actor is a self-assured captain-type with the arrogance to match and Plemons is an uncertain sailor questioning the antics around him. This will certainly amuse fans of the show.

Because You’re Curious
Let’s be honest, there’s at least a small part of you that wants to know who’s going to say, “You sunk my battleship.” And you may be surprised by how it’s incorporated into the film. Cliffhanger! And don’t you want to see how they pulled it off? When they literally were working from nothing, they came up with a full plot line based around a children’s board game. Credit is due, my friends.

Did we convince you? Will you see “Battleship” this weekend? Sound off in the comments and on Twitter!

Tags Alexander Skarsgard, battleship, Jesse Plemons, rihanna, Taylor Kitsch

Evangeline Lilly Eve Fergie Foxy Brown Freida Pinto FSU Cowgirls Gabrielle Union

“He said, ‘I’m an only child; there’s, like, so many of you,’ ” Khloé recalled in a chat with Ryan Seacrest on Friday (May 18).

Fans will get to see Kanye warming up to the Kardashian crew themselves when E!’s “Keeping Up With the Kardashians” returns for another season on Sunday. But Khloé told Seacrest her husband, Lamar Odom, had similar trouble getting used to her very large family.

“I remember Lamar, at first it took him a minute to get used to us, but now Lamar loves it,” she said. “With Kanye I was like, ‘Why are you hiding in our pantry in my mom’s kitchen?’ And he’s like, ‘There’s just so many of you guys, and you guys are all so loud and friendly and talk.” And I’m like, ‘Get used to it buddy, because I like it.’ It’s just a lot at one time.”

Being an only child like Yeezy is added to his initial discomfort, but he isn’t the lone only child the Kardashians have welcomed.

“[My boyfriend] Scott [Disick] and Lamar are only children too,” Kourtney shared. “I think we attract only children. I don’t think [Kanye] knows what’s going on [when he hangs out with us]. Like, what we’re talking about, are we being serious? Is this a joke?”

The initial shock of the Kardashians seems to have worn off, though. Usmagazine.com spotted Kanye hanging out with Kim and her family at Kourtney’s May 12 baby shower. In one snapshot, a smiling Kanye sits next to Kim, who’s playing with her nephew and Kourtney’s son, Mason.

Khloé’s hubby, Lamar, has also apparently bonded with Yeezy. The pro baller even seems to have his sights set on the music industry. “Lamar raps to [Kanye] all the time. Kim is like, ‘You’re going to freak this guy out,’ ” Khloé said. “But it’s funny.”

Will you tune into see Kanye on “Keeping Up With the Kardashians”? Tell us in the comments!

Giuliana DePandi Giulianna Ramirez Grace Park Gretha Cavazzoni Gwen Stefani Halle Berry Hayden Panettiere

“I told [director] Colin [Tilley] when I called him, ‘We gotta video, we gotta do the best video, we gotta win awards, and you gotta really take it there because we got nothin’ but megastars on one record,” DJ Khaled told MTV News’ Sway Calloway from the Universal Studios set where he shot the video at the end of April.

Last summer, Khaled hosted “I’m on One,” an inescapable rap jam that partnered Lil Wayne, Drake and Rick Ross for the first time. It seemed that the #1 Billboard rap single would be hard to top, but with Nicki Minaj and Chris Brown on “Take it to the Head,” the Cash Money DJ is making a serious run for hip-hop’s 2012 summer anthem. The stakes are high, and the video, which premieres Sunday on MTV Jams, is equally as huge.

The video set is reminiscent of the 1974 disaster film “Earthquake,” where most of Los Angeles is destroyed by a quake that registers 9.9 on the Richter scale. “Colin Tilley is an amazing director, so he had this amazing idea where he wanted fire behind us, trains broken, ground shaking,” Khaled described. “We’re giving you new stuff.”

Ashley Olsen Ashley Scott Ashley Tappin Ashley Tisdale Asia Argento Aubrey ODay Audrina Patridge